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Goatmoon. GOATMOON
Genre: Black Metal
Lyrical theme(s):
Satan, hate, White power;
Current line-up:
BlackGoat Gravedesecrator - Everything (Armour);
Former/past member(s):
T.Bloodvengeance - Drums.
Biography
Goatmoon is a one man black metal band from Lappeenranta, Finland.
Goatmoon was created in spring 2002 from the ruins of BlackGoat’s old band Count Lähde(-99). First recordings BlackGoat made by him self, but in some point of summer ‘02 joined drummer T. Bloodvengeance, who played on the half of songs on the first demo. On the early winter of ‘02 Bloodvengeance left the Goatmoon. BlackGoat has recorded six demos by himself during the years 02-05. First full length album was brought to moonlight late winter ’04 released and distributed by Werewolf records.
Discography
Demo - 2003
Goatmoon (Demo) - 2003
Death Before Dishonour - 2004
Finnish Steel Storm - 2007
In the Spirit of Ultimate Sacrifice Split album - 2008
Goatmoon (EP) - 2009
Goatmoon / Xenophobic Ejaculation Split album, 2010
Hard Evidence - Illegal Live Activities 2009 Live album, 2010
Winterforest Split, 2010
Azazel / Goatmoon Split, 2011
Varjot - 2011
Also appeared on the Metal On Metal III compilation CD (500 copies, Bestial Burst/Metal Warning/Primitive Reaction, 2009) with the track Irstauden Alttari.

devotion.. Russian Booking: Andrey Efimenko | Polygon Agency
underwavevlg@gmail.com
Booking: Alefuzz | Bagana Rock Agency
booking@baganarock.com
Press Agency: Riccardo Canato baganapress@gmail.com
devotion. was born in late 2005 from the underground scene of Vicenza (IT), immediately starting to write their very first songs. That lead them to the recording sessions of the 1st EP in the beginning of 2006 at HATE STUDIO and to play live all over Italy. In 2007 they played their first concerts in Germany and then France as opening act for french band “Pleymo”. After that, they went back to the HATE STUDIO to record the 1st full-lenght album “SWEET PARTY”, mixed at THE AIRPORT STUDIO in L.A. by shaun lopez (deftones, far, will haven,...). After signing with “BAGANA RECORDS”, the album has been released in 2009 with EDEL distribution and promoted also with the video for the paper boy song, which rotated on several national TVs such as “ALL MUSIC” and “ROCK TV” and web channels. In the same period they also became ESP guitars endorsers. In 2010 they've been selected to join the soundtrack of the “ALL POINTS BULLETIN” videogame (REALTIME WORLDS/EA GAMES) and started recording the second album “VENUS”, produced and mixed by Maurizio Baggio (HATE STUDIO) and mastered at WEST WEST SIDE STUDIO in NY by Alan Douches (mastodon, the dillinger escape plan, snapcase, sepultura, etc...). The album will come out always for BAGANA RECORDS/AUDIOGLOBE and promotion by LUNATIK. In 2012 they recorded their third album “VIDEOSTREET” at HATE STUDIO, and mastered by Carl Saff at SAFF MASTERING (Dinosaur Jr, Unsane, the hope conspiracy) in Chicago. For the promotion of their latest album they also played in some of the biggest festival such as “FULL TENSION” in Bolzano and “HOME FESTIVAL” In Treviso as well as a Russian tour managed by POLYGON AGENCY. In the beginning of 2015 they featured in one song of the album “SUICIDOL” from italian rapper Nitro (Machete production/SONY music). The band recently signed a digital worldwide deal with the american label “PAVEMENT ENTERTAINMENT/SONY” for the release of their 4th studio album “WORDS AND CRYSTALS”.
BANDS WE’VE PLAYED WITH: deftones, the dillinger escape plan, meshuggah, sepultura, architects, pleymo, poison the well, lordi, crazy town, terror, caliban, animals as leaders, snot, a storm of light, fighting with wire, grandmaster flash, teatro degli orrori, linea 77...

HIGH ON FIRE. Heavy riffs since 1998
solo bla-bla-bla improvaising in A blues
It was the late, great novelist and caffeine enthusiast Honoré de Balzac (1799-1850) who said, “Power is not revealed by striking hard or often, but by striking true.” And yet High On Fire have managed to do all three. Since the Oakland power trio’s inception in 1998 they’ve released six earth-splitting albums, each seemingly more unstoppable than the last. Forever haunting the halls of the Iommic Temple—the band’s own philosophical monument to Black Sabbath riff master Tony Iommi—High On Fire have become legends in their own time. As bong-huffing genre music rises and falls around them like so much windborne detritus, guitarist/vocalist Matt Pike, drummer Des Kensel and bassist Jeff Matz comprise the all-seeing eye of a perpetual riff-storm, always looking toward a future in which The End is always near.
After unleashing one of the most momentous debuts in the history of heavy music with 2000’s The Art Of Self-Defense, High On Fire doubled down in 2002 with the absolutely punishing Surrounded By Thieves, an album that even notoriously finicky music website Pitchfork rated an 8.8 out of 10. “Surrounded By Thieves pushes drones to its limits, with a crushing wall of bass tones guaranteed to alter heart rhythms and weaken building infrastructures,” they gushed, before adding the obvious disclaimer: “If you’ve never experienced street drugs, it’s a safe bet you probably won't enjoy this album.”
And the hits just kept on coming: High On Fire’s 2005 album, Blessed Black Wings, was named one of the top 50 albums of the 21st century by prominent UK music weekly Kerrang! In 2007, the band’s Death Is This Communion ranked # 3 on Revolver magazine’s year-end list, while landing the # 4 spot in Total Guitar. That same year, Matt Pike was named one of rock’s “New Guitar Gods” by Rolling Stone.
Fast forward to 2012 and High On Fire’s new album, De Vermis Mysteriis. Produced by Converge guitarist Kurt Ballou at God City Studios in Salem, MA, the record marks the next devastating chapter in High On Fire’s gloriously unhinged metal saga. “It’s a fuckin’ awesome album,” Pike enthuses. “I think it’s kind of a cross between the experimentation of Death Is This Communion and the driving darkness of Blessed Black Wings. There’s plenty of thrashy stuff, but there’s also a lot of Sabbathy doom-type stuff.”
“We didn’t try to plan it all out this time,” he adds. “We kind of waited ’til we were on the spot and had to do something. We had the basic skeletons of the songs—we were prepared—but there was a lot of improvisation. There’s a lot of soul on this one, and it’s got a rollercoaster kind of feel.”
The album’s title (translation: “The Mysteries of the Worm,”) is a nod to a fictional grimoire conceived by the late, great Psycho author Robert Bloch in 1935 and later incorporated into horror master H.P. Lovecraft’s renowned Cthulu Mythos. “It’s a concept record, a little bit,” Pike offers. “I got this idea about Jesus Christ and the Immaculate Conception: What if Jesus had a twin who died at birth to give Jesus his life? And then what if the twin became a time traveler right then? He lives his life only going forward until he finds this scroll from an ancient Chinese alchemist who derived a serum out of the black lotus—which is actually in Robert E. Howard’s ‘Conan’ stories—and then he starts traveling back in time. He can see the past through his ancestors’ eyes, but his enemies can kill him if they kill the ancestor that he’s seeing through at the time. Basically, he keeps waking up in other people’s bodies at bad times. It’s kinda like that old TV show Quantum Leap. Kurt actually pointed that out to me after I told him the idea. But whatever—time travel is a killer concept.”
“Most people won’t even get it, so I’m explaining it now—once,” he concludes. “After this, I’m done telling the story to people. So p

Allan Morrow Official Group