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хули - Ганка

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devotion.. Russian Booking: Andrey Efimenko | Polygon Agency
underwavevlg@gmail.com
Booking: Alefuzz | Bagana Rock Agency
booking@baganarock.com
Press Agency: Riccardo Canato baganapress@gmail.com
devotion. was born in late 2005 from the underground scene of Vicenza (IT), immediately starting to write their very first songs. That lead them to the recording sessions of the 1st EP in the beginning of 2006 at HATE STUDIO and to play live all over Italy. In 2007 they played their first concerts in Germany and then France as opening act for french band “Pleymo”. After that, they went back to the HATE STUDIO to record the 1st full-lenght album “SWEET PARTY”, mixed at THE AIRPORT STUDIO in L.A. by shaun lopez (deftones, far, will haven,...). After signing with “BAGANA RECORDS”, the album has been released in 2009 with EDEL distribution and promoted also with the video for the paper boy song, which rotated on several national TVs such as “ALL MUSIC” and “ROCK TV” and web channels. In the same period they also became ESP guitars endorsers. In 2010 they've been selected to join the soundtrack of the “ALL POINTS BULLETIN” videogame (REALTIME WORLDS/EA GAMES) and started recording the second album “VENUS”, produced and mixed by Maurizio Baggio (HATE STUDIO) and mastered at WEST WEST SIDE STUDIO in NY by Alan Douches (mastodon, the dillinger escape plan, snapcase, sepultura, etc...). The album will come out always for BAGANA RECORDS/AUDIOGLOBE and promotion by LUNATIK. In 2012 they recorded their third album “VIDEOSTREET” at HATE STUDIO, and mastered by Carl Saff at SAFF MASTERING (Dinosaur Jr, Unsane, the hope conspiracy) in Chicago. For the promotion of their latest album they also played in some of the biggest festival such as “FULL TENSION” in Bolzano and “HOME FESTIVAL” In Treviso as well as a Russian tour managed by POLYGON AGENCY. In the beginning of 2015 they featured in one song of the album “SUICIDOL” from italian rapper Nitro (Machete production/SONY music). The band recently signed a digital worldwide deal with the american label “PAVEMENT ENTERTAINMENT/SONY” for the release of their 4th studio album “WORDS AND CRYSTALS”.
BANDS WE’VE PLAYED WITH: deftones, the dillinger escape plan, meshuggah, sepultura, architects, pleymo, poison the well, lordi, crazy town, terror, caliban, animals as leaders, snot, a storm of light, fighting with wire, grandmaster flash, teatro degli orrori, linea 77...

-=Belarusian METAL Community=-. 12 tribes a dozen furies a life once lost a love ends suicide a skylight drive a traitor like judas a7x age of ruin air tight alibi all shall perish all that remains alove for enemies angel crew animosity arcadia armed of battle arrs as blood runs black as i lay dying as silence falls as we fight asschapel atreyu august burns red avenged sevenfold azriel becoming the archetype beecher belie me burial belie my burial between the buried and me bleed in vain bleed the sky bleeding through bless the broken blind myself blind sight blood has been shed bloodjinn bloodlined calligraphy born from pain breakwar bridge to solace bullet for my valentine bury our own caliban calico system camilla rhodes cataract catherine century chemical vocation chimaira city of god coalesce cobra noir coliseum converge coup de main covet the knife crisis never ends dagoba darkest hour dead again dead man in reno dead to fall death death before disco death before dishonor deathcore demise of eros destroy the runner devildriver diecast dilemma disbelief doomsday downthesun drowningman dryline elysia embrace the end eminence emmure emocore emoviolence end of days engage at will evergreen terrace every time i die face of reality falling to pieces faust again fear my thoughts five finger death punch flatline foreknown forever it shall be foxomat from a second story window from autumn to ashes frontside full blown chaos gizmachi god forbid grindcore hardcore hardcut haste haste the day hatebreed heaven shall burn hills have eyes himsa hondo maclean hopesfall i killed the prom queen i'll remembered i-def-i icepick if hope dies in other climes in this moment inhale exhale instil integrity into the moat it dies today johnny truant kill the client killswitch engage knut korea lamb of god lick my scars light this city lords losa machinemade god maintain manntis maroon martyr ad memories of apocalypse memphis in june mendeed metal metalcore mirror mirror misery signals morda mortal treason most precious blood my hero is me myspace neaera no heaven awaits us nodes of ranvier norma jean on broken wings one fifth orchid ablaze otep pain confessor pandora's dawn parkway drive path of no return poison the well premonitions of war race well run ramallah rashamba raunchy reanima remembering never ringworm roadrunner roadrunner records rosesdead scartown screamo sentence shadows fall silent civilian social code sophia stick to your guns still remains swift sworn enemy sxe symphony in peril taste of chaos taster's choice tears from the sky the agony scene the arrs the autumn offering the black dahlia murder the bled the bullet never lies the chariot the classic struggle the daylight curse the dillinger escape plan the end of 6000 years the fall of troy the ghost and the storm outside the gorgeous the murdered the showdown the sorrow the waking life this is menace this moment threat signal throwdown tis is menace tomorrow's tragedy trigger point trivium twelwe tribes unbroken underoath undying unearth worn thin zao

-=Belarusian METAL Community=-

HIGH ON FIRE. Heavy riffs since 1998
solo bla-bla-bla improvaising in A blues
It was the late, great novelist and caffeine enthusiast Honoré de Balzac (1799-1850) who said, “Power is not revealed by striking hard or often, but by striking true.” And yet High On Fire have managed to do all three. Since the Oakland power trio’s inception in 1998 they’ve released six earth-splitting albums, each seemingly more unstoppable than the last. Forever haunting the halls of the Iommic Temple—the band’s own philosophical monument to Black Sabbath riff master Tony Iommi—High On Fire have become legends in their own time. As bong-huffing genre music rises and falls around them like so much windborne detritus, guitarist/vocalist Matt Pike, drummer Des Kensel and bassist Jeff Matz comprise the all-seeing eye of a perpetual riff-storm, always looking toward a future in which The End is always near.
After unleashing one of the most momentous debuts in the history of heavy music with 2000’s The Art Of Self-Defense, High On Fire doubled down in 2002 with the absolutely punishing Surrounded By Thieves, an album that even notoriously finicky music website Pitchfork rated an 8.8 out of 10. “Surrounded By Thieves pushes drones to its limits, with a crushing wall of bass tones guaranteed to alter heart rhythms and weaken building infrastructures,” they gushed, before adding the obvious disclaimer: “If you’ve never experienced street drugs, it’s a safe bet you probably won't enjoy this album.”
And the hits just kept on coming: High On Fire’s 2005 album, Blessed Black Wings, was named one of the top 50 albums of the 21st century by prominent UK music weekly Kerrang! In 2007, the band’s Death Is This Communion ranked # 3 on Revolver magazine’s year-end list, while landing the # 4 spot in Total Guitar. That same year, Matt Pike was named one of rock’s “New Guitar Gods” by Rolling Stone.
Fast forward to 2012 and High On Fire’s new album, De Vermis Mysteriis. Produced by Converge guitarist Kurt Ballou at God City Studios in Salem, MA, the record marks the next devastating chapter in High On Fire’s gloriously unhinged metal saga. “It’s a fuckin’ awesome album,” Pike enthuses. “I think it’s kind of a cross between the experimentation of Death Is This Communion and the driving darkness of Blessed Black Wings. There’s plenty of thrashy stuff, but there’s also a lot of Sabbathy doom-type stuff.”
“We didn’t try to plan it all out this time,” he adds. “We kind of waited ’til we were on the spot and had to do something. We had the basic skeletons of the songs—we were prepared—but there was a lot of improvisation. There’s a lot of soul on this one, and it’s got a rollercoaster kind of feel.”
The album’s title (translation: “The Mysteries of the Worm,”) is a nod to a fictional grimoire conceived by the late, great Psycho author Robert Bloch in 1935 and later incorporated into horror master H.P. Lovecraft’s renowned Cthulu Mythos. “It’s a concept record, a little bit,” Pike offers. “I got this idea about Jesus Christ and the Immaculate Conception: What if Jesus had a twin who died at birth to give Jesus his life? And then what if the twin became a time traveler right then? He lives his life only going forward until he finds this scroll from an ancient Chinese alchemist who derived a serum out of the black lotus—which is actually in Robert E. Howard’s ‘Conan’ stories—and then he starts traveling back in time. He can see the past through his ancestors’ eyes, but his enemies can kill him if they kill the ancestor that he’s seeing through at the time. Basically, he keeps waking up in other people’s bodies at bad times. It’s kinda like that old TV show Quantum Leap. Kurt actually pointed that out to me after I told him the idea. But whatever—time travel is a killer concept.”
“Most people won’t even get it, so I’m explaining it now—once,” he concludes. “After this, I’m done telling the story to people. So p

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